Naari Review: How is nari, where Amani played a key role, looks like

Very few makers dare to make women-oriented films. Such a rare attempt has been made by director Surya Lokapalli. Nari is a film based on the theme of women’s empowerment and issues in which Amani plays a key role.

Movie Review: ‘Nari’ (Naari Movie Review)
Release Date: 7-3-2025
Cast: Aamani (Aamani), Vikas Vashishta, Karthikeya Dev, Nithya Sri, Mounika Reddy, Pragathi, Kedar Shankar, Pramodini, Rajahmundry Sridevi, Chhatrapati Sekhar, Naga Mahesh, Sunaina and others.

Technicians:

Camera: V Ravikumar, Bheem Samba
Music – Vinod Kumar Vinnu
Editor – Madhav Kumar Gullapalli
Producer – Smt. Sasi Lokapalli
Director – Surya Velupalli (Surya vantipalli)

Very few makers dare to make women-oriented films. Such a rare attempt has been made by director Surya Lokapalli. His film ‘Nari’ (Naari Movie) is based on the theme of women’s empowerment and issues in the lead role. Let’s see to what extent the film has impressed the audience on Friday.

Story:
Sarada (Pragati), a lawyer, takes up the murder case of a girl in the city. The victim’s family is desperate to get justice. Among the accused in the crime is the son of minister Bhupathi (Nagamahesh). However, the unaccounted lawyer Sharda takes the lead to bring justice to the victim. Bharathi (Amani and Mounika Reddy), a woman she met in her life, remembers her life once and for all. Who is that Bharati? What’s her story? Bharti, who grew up amidst hardships since childhood, was the kind of hardship that she faced and how she overcame them. It remains to be seen on the screen what is the sacrifice made by Bharti and what is the solution she has shown without looking at the girl child once again.

Movie Review: ‘Nari’ (Naari Movie Review)
Release Date: 7-3-2025
Cast: Aamani (Aamani), Vikas Vashishta, Karthikeya Dev, Nithya Sri, Mounika Reddy, Pragathi, Kedar Shankar, Pramodini, Rajahmundry Sridevi, Chhatrapati Sekhar, Naga Mahesh, Sunaina and others.

Technicians:

Camera: V Ravikumar, Bheem Samba
Music – Vinod Kumar Vinnu
Editor – Madhav Kumar Gullapalli
Producer – Smt. Sasi Lokapalli
Director – Surya Velupalli (Surya vantipalli)

Analysis: (Naari movie review)

Difficulties are common at every stage of life since the birth of a girl child. There is a tendency in the society as if a woman has to go through the difficulties of life in some form or the other, such as the father when she was a child, the husband after marriage, the mother’s children, etc. This is the story of Bharathi, a girl who was born and brought up in such a background. The director showed the difficulties that started with his father in his life and then overcame the difficulties of the person who loved and cheated on the screen and made his life ideal by making his heart stone. This is what motivates this. There have been many films on the subject of atrocities against women. But the point shown by the director in this is. The solution to the problem will be new. It is interesting to note that in fast culture, the youth are going in bad ways. What kind of a lesson the mother taught her misguided son is another thing to boast about in the film. The feeling will be missed if she relieves the lesson she has taught in the climax. That scene will make any fools emotional.

Performance of the actors: The behind-the-scenes director of the film is the hero while the on-screen hero is Amani. Bharathi was involved in the role. She showed her experience as an actress in the role of teacher Bharathi. Every scene has evoked emotion. Amani’s performance as a teacher who elevates students and a mother who hopes to bring her lost son into the groove is amazing. Mounika Reddy, who played the role of Bharathi’s teenage, did justice to the role. Nithya Sri impresses as the student Archana. The suspense will be lost when Vikas Vashishta’s character is revealed. Vikas’s body language is well set for the role. Pragati, Pramodini, Chhatrapati Sekhar and Kartikeya Dev have done justice to their roles. As far as technically is concerned. Cinematography is good. Even though it is a small budget film, the producer has not lost anywhere in terms of quality. It would have been nice if the editor had put on some scissors in the second half. Vinod Kumar’s music is an asset to the film. The point taken by the director and the message conveyed in this is good. Some were written as soso. There is a feeling that Surya has failed to write the screen play according to the story. With this kind of concept, the film should be such that every scene is curious. Because there is a strong point in the climax. Regardless of whether it will work out commercially or not, the director has given a good message. This is a film that the current society can watch.

Tagline: Nari’s fight..